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战斗力 鹅
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注册时间 2010-3-24
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引用第119楼memajia于2011-04-04 12:07发表的 :
销量永远是这种没法弄出可以让宅门高潮的嚼头的片子的痛
感觉跟起点的小说一个道理,卖的好的永远是唐家三少,西红柿那种小白升级文,真正的好作品上不了台面 
看来这一点无论是东西方认同还是一样的,随便从ANIMESUKI上摘抄一段比较中肯的评论,现在最担心的还是销量问题:
True Tears was one of the most discussed and acclaimed series on 2ch during its run. The thing is that it's hard to tell what will sell. Often, popularity and critical acclaim on 2ch correlates to financial success (after all, participants tend to be hardcore otaku, who're the people most likely to buy anime DVDs), but it isn't always the case. At the end of the day, producers need to present a product that people want to collect, so just having otaku enjoy and praise a series isn't good enough.
Anyway, I'm referring more to industry excitement than fan response. Producers took notice, and it opened up many work opportunities for Okada, particularly in the way of original scripts. For instance, Kannagi director Yamakan spoke of how impressive True Tears was, and by golly, he selected Okada for Fractale (P.A. Works would sign her on again for CANAAN and Hanasaku Iroha, while Aniplex pitched Anohana).
This flood of work typically happens when a director, writer, seiyuu, or studio puts out something that really catches people's attention (via sales performance, interesting hooks, merchandising success, fan acclaim). Suddenly, everyone wants to capitalize on that potential and produce their own winner from it. |
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