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战斗力 鹅
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本帖最后由 goddess 于 2014-11-17 05:12 编辑
"One key element of an enjoyable media experience is that it takes individuals away from their mundane reality and into a story world. We call the process of becoming fully engaged in a story “transportation into a narrative world” (Green & Brock, 2000; Green & Brock, 2002). "
"That transportation is a major goal for readers and viewers is evidenced by the disappointed responses of individuals who have had a media experience that failed to deliver transportation. A common complaint from individuals who have watched a bad movie or read a dull novel is that they “just couldn’t get into it.” Furthermore, having one’s attention unexpectedly div**ed from a narrative in which one is engrossed—for instance, by fellow theatergoers talking audibly during a movie—is often sufficient to arouse one’s ire, likely due to the fact that one was abruptly seized from the world to which one had been transported. Enjoyment is surely disrupted in these situations.
Transportation somewhat resembles flow, or optimal experience (e.g.,Csikszentmihalyi, 1990), brought about by absorption in an activity and often marked by a deep sense of enjoyment. Individuals who are transported are fully concentrating on the story. They often lose track of time or fail to notice events occurring around them because of their focused
involvement in the world of the narrative. In addition, a prominent characteristic of flow activities, according to Csikszentmihalyi (1990), is their ability to provide escape from “the so-called ‘paramount reality’ of everyday existence” into an alternative “peculiar reality” (p. 72). Not surprisingly, Csikszentmihalyi identified reading as the most frequent flowactivity partaken in by individuals worldwide (chap. 6)."
Green, M. C., Brock, T. C., & Kaufman, G. F. (2004). Understanding media enjoyment: The role of transportation into narrative worlds. Communication Theory, 14(4), 311-327.
因为有趣, 以上
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楼主: 双页宅
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发表于 2014-11-17 04:25
代入感巨严重，但是没故事的我是不是纯粹是有病。
